#The weathering magazine water full#

It does not seem possible to test all potential organic and inorganic materials that could come in contact with an automotive coating. In the case of this type of testing, the challenge would seem to be overwhelming. There does not appear to be a good test to determine overall coating resistance to materials such as bug residue, tree sap and pollen from various sources. Many of the tests used to determine cracking potential of a coating do not accurately predict outdoor performance. There are numerous types of scratch test methods and pieces of equipment used in the coatings industry however it is difficult to point to a single test that correlates well to actual outdoor damage. While there are many tests that can predict defects with good field correlation, there are other areas where correlation has been difficult. Also, a newly developed etch test has very good correlation to actual outdoor acid etch damage to automotive coatings.(1)

For example, a Gravelometer has been used successfully by customers for many years using multiple types of media to predict various types of chipping that could happen to automotive coatings. Many tests have been developed in the past that can be used to generate a specific defect and predict the field performance of a coating system. I found the information to be very interesting and enlightening on the subject of creating scale water effects and would highly recommend this title, as well as the other nine (9) to any modeler wishing to build on their current weathering skills! A big РІР‚ВThanksРІР‚в„ў goes out to Iain Hamilton, US distributor of AMMO products and to AMMO for providing the review sample and this invaluable publication.Prior Test Procedures and Field CorrelationР”Р„ny accelerated laboratory test must be able to correctly duplicate and predict the type, degree and severity of defect that is seen in actual field conditions. Some of her poses may be considered risquР“В© by some, while thoroughly enjoyed by others.Р”В®ach author explains, via text and picture, how the water effect is boxed, created, the materials used (one author uses oat bran as filler - who would have thought?), the layers, the methods, etc.Р”В®ach article is well written, clearly explained and includes an excellent assortment of photographs. Be warned, the magazine also includes a female model (flesh and blood, not plastic), in different outfits, added into several articles. Towards the back of the magazine is a two 2-page layout of pictures from modelers and modeling events from around the world. Two of the authors have galleries showing additional examples of their incredible work. The six (6) articles cover a variety of modeling subjects including ships, tanks, cars, aircraft and scenery. Eight authors place their skills and expertise on display in this 62-page publication. The current issue is entitled РІР‚СљWaterРІР‚Сњ and shows techniques for creating anything from puddles to oceans, still water to raging rivers. To date there are ten (10) issues published covering varied aspects of model weathering that have eluded many of us (previous issues include Mud, Snow & Ice, Rust, Chipping and many other subjects).

#The weathering magazine water full#

In print, all pages are full color, on heavy gloss paper, and are in a standard magazine format (8.25РІР‚Сњ x 11.75РІР‚Сњ).

The Weathering Magazine is currently being produced in seven (7) languages and is available in both print and electronic formats.

AMMO presents their work in РІР‚СљThe Weathering MagazineРІР‚Сњ. Some modelers are happy to share their weathering techniques and others are reluctant to reveal the secrets to their incredible finishes.Р”Р‡ortunately for us, AMMO products, by Mig Jimenez, has worked to pull together a group of modelers with the former traits: not only happy to share, but willing and able to put it into words and pictures these techniques for all to see and try. Some of these are very subtle and must be carefully examined to detect all of the nuances while others are very bold and jump right out at the viewer. Modelers from different areas of the globe often have very different techniques, which come through as very different results on their finished products. In recent years the art of realistically weathering models, of almost any genre, has been both a heated topic and a much sought after skill, one that has been changing and evolving regularly.